Pink Fusion, c. 1930 by Sara Morgan

Often referred to as the “Renaissance of Quilting, the 1930s brought a great quilt revival, a result of the hard times of The Great Depression. All across America, activities devoted to the home arts became popular. Quilting groups, shows and newspaper gained popularity, bringing women from California to New England together around their quilting frames. Eleanor Roosevelt's campaign for American Arts and Crafts further helped propel quilting to the forefront of activity. Although times were tough for Americans, quilts of this era were usually bright and cheerful.

Lincoln Era, 1860-1865

This Rare Estate Collection comes from fabrics found in antique clothing from General Stores in New York City, Philadelphia, Charleston and Richmond.

The General Store was quite popular in rural areas around the country, especially during the mid-to-late 1800s. Folks depended on their local mercantile, not just for the necessities such as coffee, spices, baking powder, flour, sugar, eggs, milk, butter, fruits and vegetables, honey and molasses, cigars and tobacco, but also for a host of other “essential” items.  Store owners tried to anticipate the needs of their customers and often extented credit or bartered for their goods.

The use of oil often caused Turkey red fabric to be described by vendors as "oil boiled" - and quilters loved it. Turkey red was a luscious color, it didn't fade, and it didn't bleed; without it, the elaborate red-green applique quilts of the 1840-75 period would have been an impossibility. But it was expensive. Even after synthetic reds were introduced around 1875, Turkey red "oil boiled calico" sometimes cost ten times more.

The term “turkey red” actually refers to the actual dye process used to produce the brilliant, vivid and incredibly colorfast cool red. In the early 1800s, turkey red grounds featured chrome-yellow, green,blue and black overprints. Large scale paisley prints and small repeated motifs were also popular designs.

Wrappers were the casual dresses the women wore for everyday activities. Made to suit the season in either cotton or wool, this comfortable dress was high necked with long sleeves and a free-flowing body. Less fitted than more formal dresses, the wrapper didn’t require hoops, corsets, or bustles, was easy to make, and could easily be adjusted for maternity wear. The style was practical and enduring in popularity and suited women of all ages, including young girls.

As with any dress goods, after the garment was completed, the leftover pieces went into a scrap basket, eventually joining other scraps to make quilts for the family.

Victorian Christmas II by Sara Morgan   1890-1900

Following the Puritan ban on celebrations, it took nearly 200 years for Christmas to once again become an important event. Many of the things we most love at Christmas, such as sending cards and pictures of a fat, jolly Father Christmas or Santa Claus, date back to the Victorian age. The Christmas tree became popular, as did gift shopping in big stores.

Children in Victorian England had the task of writing greetings to their parents in their very best handwriting. Occasionally, adults took on the time-consuming task ofwriting Christmas letters to each other. The printed Christmas card solved this problem.

Historically, reed pens, quill pens, and dip pens were used with a nib of some sort to be dipped in the ink. The writing instrument that dominated for the longest period in history (over a thousand years) was the quill pen, introduced around 700 A.D.

The quill was a pen made from a bird feather. The strongest quills were those taken from living birds in the spring from the five outer left wing feathers. The left wing was favored because the feathers curved outward and away when used by a right-handed writer. Goose feathers were most common; swan feathers were of a premium grade being scarcer and more expensive. For making fine lines, crow feathers were the best, and then came the feathers of the eagle, owl, hawk and turkey.

Following the Puritan ban on celebrations, it took nearly 200 years for Christmas to once again become an important event. Many of the things we most love at Christmas, such as sending cards and pictures of a fat, jolly Father Christmas or Santa Claus, date back to the Victorian age. The Christmas tree became popular, as did gift shopping in big stores.

Although "dry goods" as a term for textiles, ready-to-wear clothing, and sundries has been dated back to 1742 in England, the term was actually more popular here in the United States.  Dry Goods were usually found in stores during the Civil War specializing only in those products - consumer goods that were distinct from those carried by hardware stores and grocery stores – a type of specialty store. General Stores began to carry dry goods as well when they realized the money-making potential of the items.With fashion magazines emphasizing mourning attire,the demand for mourning veils and black yard goods increased. Not just the “fashionably attired” women were concerned with matters related to dress and textiles; dry goods had a prominent part in every sector of the war from the battlefield to the homefront.  Uniforms had a dramatic impact on the war effort. When the war broke out, state volunteer regiments on both sides marched into battle wearing an array of colorful uniforms which, although impressive to look at, resulted in great tragedies of mistaken identity.

The phrase “Old Glory” was actually coined in 1891. Captain William Driver, a shipmaster from Massachussetts, embarked on one of his many voyages aboard the Charles Doggert brig and was presented with a beautiful flag of 24 stars. As the banner proudly swayed in the ocean breeze, he exclaimed, “Old Glory!”.

Until the Executive Order of June 24, 1912, neither the order of the stars nor the proportions of the flag was prescribed. Consequently, flags dating before this period sometimes show unusual arrangements of the stars and odd proportions, since these features were up to the discretion of the flag maker. In general, however, straight rows of stars and proportions similar to those later adopted officially were used.

"Half-way down a by-street of one of our New England towns, stands a rusty wooden house, with seven acutely peaked gables facing towards various points of the compass, and a huge, clustered chimney in the midst.” Thus starts the novel The House of the Seven Gables written by Nathaniel Hawthorne in 1851. This historic romance, inspired by Hawthorne’s visits to family members who lived in the house, was written the year after Hawthorne penned The Scarlet Letter. This legacy is why the House of the Seven Gables Historic Landmark site exists today, celebrating its 100th Anniversary as a museum dedicated to serving the needs of the community of Salem.