Although the 1930s was the era of the Great Depression, women’smagazines were full of optimism. Cheery fabrics and colors could be found on new quilt patterns in an attempt to keep creativity alive as homemakers struggled to sew practical items for their families Although quilters were still interested in creating quilts that reminded them of their heritage, they wanted them in happy pastels and lighter colors.

Newspapers also picked up on the surge in quilting and began to feature quilt patterns, as did catalog companies. At the Chicago World’s Fair in 1933, Sears included an exhibit of the winning quilts from their national competition, which had reached women all around the country and netted a response of 24,000 entries.

Toybox III - Miniatures c. 1930 by Sara Morgan

You’ll love this adorable collection of unusual and hard-to-find juvenile and toy motifs! Filled with kitty cats, playful children, dogs, ducks, bunnies and more, these tiny prints are sure to delight quilters and kids of all ages.

Lincoln Era, 1860-1865

This Rare Estate Collection comes from fabrics found in antique clothing from General Stores in New York City, Philadelphia, Charleston and Richmond.

The General Store was quite popular in rural areas around the country, especially during the mid-to-late 1800s. Folks depended on their local mercantile, not just for the necessities such as coffee, spices, baking powder, flour, sugar, eggs, milk, butter, fruits and vegetables, honey and molasses, cigars and tobacco, but also for a host of other “essential” items.  Store owners tried to anticipate the needs of their customers and often extented credit or bartered for their goods.

Vintage textile enthusiasts and collectors will find this group very exciting!

Fabrics from the Boussac of France mill are very rare and unique finds - Blue Hill Fabrics has been lucky enough, through their association with Sara Morgan, to present this beautiful collection of exclusive designs and motifs from that famous mill. . These treasures are just a sampling from the most incredible collection of mill samples from from the Boussac of France mill book.

The delicate background netting, the interesting color combinations and the wonderful handwriting motifs are straight out of mid 1800s textile history. Delicate flowers and intricate designs are just part of the appeal - once you see the collection, you’ll understand why it so special

What a find! Sara Morgan shares some of her goodies from a very special private collection of vintage swatches she is lucky enough to have acquired for her own stock.

These moons and stars motifs have been reproduced in popular reds, rich burgundys, dark brown, and faded blues from the early-to-mid-19th Century. These small, delicate prints are perfect as fillers with larger patterns or on their own with the appeal of calico-style petites. You’re sure to find them perfect for both vintage reproduction quilts and for projects with contemporary twist.

Wrappers were the casual dresses the women wore for everyday activities. Made to suit the season in either cotton or wool, this comfortable dress was high necked with long sleeves and a free-flowing body. Less fitted than more formal dresses, the wrapper didn’t require hoops, corsets, or bustles, was easy to make, and could easily be adjusted for maternity wear. The style was practical and enduring in popularity and suited women of all ages, including young girls.

As with any dress goods, after the garment was completed, the leftover pieces went into a scrap basket, eventually joining other scraps to make quilts for the family.

We’ve known Sara Morgan for her incredible reproduction fabrics, but now she wows us with this exciting contemporary collection, Swing!

Full of happy colors, whimsical paisleys, retro squares and funky florals, this collection offers lots of possibilities for fun craft, quilt and home decor projects.

Imagine a bed full of colorful pillows with matching quilt...or an exciting wall hanging...a showstopping tote bag...this versatile collection is perfect for whatever you can dream up.

Bright, bold colorings and happy flowers make this collection a must-have! Grafig Trafiq, known for their flirty, fun and funky designs, wows us again with this newest addition to the Blue Hill Fabrics family!

Available in 3 popular colorings, contemporary quilters are sure to delight in the endless possibilities of projects that will appeal to all ages!

These beautiful fasbrics were inspired by the relief printing technique in printmaking known as “wood cut”. In Europe, Woodcut is the oldest technique used for old master prints, developed somewhere around 1400 when paper techniques were used for printing on cloth.  The process of wood block printing is sometimes considered to be the most artistic and the earliest, simplest and slowest of all printing techniques.

In this process, a design is drawn on or transferred to a wooden block. A separate block is required for each color in the design. Because fine details are so difficult to cut in wood, they tend to wear down quickly or break off in the printing process. The block cutter carves the heavier masses first so that the finer, more delicate work is not damaged during the carving process. Because the printing process is usually done by hand, it yields beautiful, unique and highly artistic results.

We tend to think of quilts from the Civil War era as full of blues, grays, blacks - generally dark colors. These fabrics, reproduced from a quilt of the same name in the Rocky Mountain Quilt Museum collections, is a cheerful exception.  Most of the fabrics in this quilt date back to 1860-1880, although RMQM believes the black ombre may have been a little earlier. The vibrant green color in the small-scale prints was obtained by an overdyeing process popular at that time. The other prints, although typical of the time period, are somewhat rare finds: the dark red with blue and brown, the double pink with machine ground, turkey red with chrome yellow, and brilliant Prussian blue. It is these beautiful fabrics that inspired Blue Hill Fabrics™ to re-create a vintage collection that would appeal to both traditionalists and contemporary quilt artists.